Oh, okay, great tips Ironman. I'll be sure to check both next iron pour.
I have a couple questions about slagging. I know you slag in the furnace at least once -- I'm guessing just before adding ferrosilicon. What is the end of your slagging tool made out of? It looks relatively thin, and must be some heat resistant material -- stainless steel?
I find that in my furnace, the ITC HT-100 reflective coating soon gets covered with a brownish glaze -- I'm guessing from vaporized slag, mainly from slagging in the furnace. A little slag always escapes the slagging tool.
The brown slag glaze on the furnace walls reduces the reflective property of the HT-100 and melting time goes up from the initial very fast melts. I think my first few melts were 20 minutes long, now that are around 40 for the same 6 to 10 lb melts in an A6 crucible.
To try to see if I could improve that, I've re-coated the furnace with Satanite as a base over the blanket, and then a paint coat thickness of ITC-100 over that.
But, because of the slag glazing problem I'm wondering it the ITC 100 really is worth it on a foundry furnace (as opposed to a forge where people use it a lot), and maybe just the Satanite would give about the same results after the first few melts. It's much less expensive and also seems tougher and more heat resistant than the ITC-100.
Finally, speaking of looking at the crucible and iron to compare temps, I'm curious about what you use for eye protection. I see you use a face shield with a filter -- I've tried filters and it seems like a shade 5 is too dark for safe maneuverability, so I'm thinking of a shade 3 filter. What do you find works for you?
Thanks for all your advice and information over the years! I still have a copy of your early website from nearly a couple decades ago when I first saw it, where you were melting with oil, and also a cupola.